Visitors to
A discerning visitor who looks carefully will find a
holocaust museum which documents the in murder of the local Jewish community by
German invaders. The visitor will also find, after much very careful searching,
some traces of Muslim Turkish remains. These traces in turn contextualise the second
big equestrian statue in the city – that of Prince Constantine who delivered
this ancient Greek city of Christians
from the infidel yoke in 1912.
Mention of Greek Christianity illuminates the other pole of
the modernist ideology of Hellenism – the heritage of Byzantium . Medieval Byzantine churches are
prominent in Thessalonica, as are other Byzantine ruins and fragments. The cursory
visitor thus is left with a clear impression – this is a Greek city, and a
Christian city, and it always has been, even when occupied by infidel Turks.
And this Hellenism and Christianity, proudly touted as legacies, are wrapped in
a modern and modernist package, showing that Greece is a European, not an
Oriental, country; it belongs to the West, not the East. As most of modern
Thessalonica was constructed in the 1950s and 1960s a clear Cold War text is
also present. The east to which Greece
did not belong included not only the ‘past east’ of ‘oriental’ Islam, but the ‘present
east’ of Slavic anti-Christian communism. Reinforcement for these messages will
be found in elaborate public monuments to the 1922 refugees from Turkey and the 1949 expellees from the Crimea,
Bessarabia and southern Ukraine .
For modern Thessalonica is the place where modern Greece gathered in the
descendants of Greek communities more ancient than the polieis of the
Peloponnesus – the remnants of the Archaean immigration to the Black Sea and
Asia Minor of the seventh century BC - reversed by the ethnic cleansing
nationalism of the twentieth century.
Mark Mazower, historian of Greece under Nazi occupation, the
modern Balkans and of a very insightful history of twentieth century Europe,
has turned his eye to one city; a city he first encountered as student backpacker
in the 1980s when, turning away from the obvious tourist signposts he found the
remains of a different Greece to that constructed by modern Hellenism. As he
puts it, this was a Greece
“less in thrall to an ancient past, more intimately linked to neighbouring
peoples, languages and cultures”. What Mazower proceeds to do is to bring this
forgotten city, this ‘city of ghosts’ to life.
At a recent conference, this reviewer heard a suggestion
that history was generally written forwards, to account for and underwrite the
emergence and existence of modern identities. What was needed it was suggested,
was to write history backwards, to
find the identities that have been submerged or lost, written out of history.
Mazower has done this with regard to the city to which he refers by the old
name, Salonica, for the period from the Turkish conquest in1430 to 1950.
As Mazower starts his story, Salonica was under siege.
Indeed the city had been occupied previously by Turkish forces, and found the experience
on the whole unexceptional. The population were in favour of surrender, the
bishop not; and in the inevitable three day sack that followed the population
paid the price. After 1430, the population was reduced to a third, living among
ruins. The rebirth of Salonica occurred two generations later. Reconstruction
had been one of the goals of Sultan Murad from the start, but protection of
surviving Christains, their churches and community structure, as well as settlement
with Muslims and the foundation of mosques and vakfs (religious, charitable and educational property trusts) had
done little to reverse the drastic consequences of conquest. Repopulation, and
with it the economic ability of the city to play its appointed role in the
Ottoman imperial economy, came after 1492. In that momentous year, Jews were
expelled from Spain and
Spanish possessions in Italy .
(The King of Portugal followed suit about ten years later). Iberian Jews found
protection and welcome in Islamic lands (in contrast to the current assumption
of eternal hostility between the Abrahamic faith communities). Many were
resettled in Salonica, and from the sixteenth century until 1943, Salonica was
the largest Jewish city in all of Europe . Indeed
in early nineteenth century censuses, Jews accounted for half the population,
with Christians in third place. The character of old Salonica was thus
irrevocably diverse, with three faiths co-existing. Linguistically it was even
more diverse – most Jews were actually Spanish speaking (or Ladino, a dialect
of medieval Spanish), although some spoke Portuguese or Italian. About half of
the Christians at any one time were Slav speaking, immigrants from the
countryside of Thrace and Macedonia . They
became Greek speaking after a generation or two of urbanisation. Among Muslims
actual Turks were a minority; there were many Albanians, some Slav speakers,
(proto Bulgarians mainly, Bosnians came after the Austrian occupation of Bosnia in 1908), Arabs, Circassians, Berbers from
North Africa . Black and white slaves were
found, as were Armenian and Georgian Christians. Salonica thus looked like a
pre modern ‘oriental’ city – religiously, culturally and linguistically diverse
– ‘multi-cultural’ in modern parlance.
It has become a popular commonplace in current political
commentary that multiculturalism breeds hostility and conflict. It is Mazower’s
main purpose to prove the opposite by concrete historical example. Occurrences
of inter communal violence and hostility were rare. Communities were largely
self administering under the Ottoman system and while suspicion and prejudice
were present, they rarely boiled over. The administration protected each
religion equally, ensuring their places of worship were inviolate, their holy
days and festivals licensed, making conversion and intermarriage effectively
illegal. Conversion to Islam was always protected, but active proselytisation
was frowned upon. Rabbis, imams and priests attended the major festivals of each
religion, and called on each other and the Turkish governors to show respect
and tolerance. Christians and Jews had responsibility for the upkeep of
portions of the walls, and for manning the fortifications in the event of war
(which never happened – Salonica’s longest period of peace was 1430 to 1912).
Where some churches were converted to mosques, Christians still retained visiting
rights to saints’ graves and other holy places, which were generally guarded
and maintained by Muslim caretakers, often Sufis.
Hidden in this narrative, and subtly communicated with great
skill, is Mazower’s account of the downfall of the Ottoman tradition over the
nineteenth century. Key aspects here are the invention of a Greek identity
attached to the late eighteenth century emergence of a Greek commercial elite,
pirates as much as traders. Western intervention in the Greek war of independence
led to a privileged position for western powers in Ottoman Turkey, with consuls
at Salonica becoming in many ways an alternative administration. The arrival of
western capital with shipping lines once the pirates were cleared and the railway
built from central Europe , led to commercial prosperity
as Salonica became the outlet for the agricultural produce of the Thracian and Macedonian
plains. Soon local industry emerged, and old divisions within the religious
communities and among them, became transformed into class divisions. While Jews
were prominent among the commercial and industrial elite, so were Christians,
and the working class remained predominantly Jewish. Muslims were found among
the officials and the landowning classes, with the peasantry divided between
Muslim and Christian. Against this backdrop nations were invented and the
residents of Salonica found themselves wooed by Greek or Bulgarian or
Macedonian nationalists, while the Ottoman state sought painfully, in an era of
nationalism, to modernise itself into a multinational modern state.
Theoretically educated readers will see in this narrative a local study of the
incorporation of an old style world-empire into the modern world-system with
the consequent peripheralisation that process entailed.
Another theme deals with the response of west Europeans to
Salonica, both in travel literature and in novels. Here we see a disdain for
both medieval Byzantine survivals and anything Turkish. Travellers sought Greek
and Christian antiquity (St Paul
had founded the church in Salonica, according to Scripture). The actual reality
of the city was disdained as dirty, unsanitary, corrupt and at best,
picturesque. By the end of the nineteenth century, Salonica was a setting for
exotic and erotic novels dealing with love affairs between harem women and
western men. The Turk in this literature was transformed from the once feared
martial conqueror into a passive, effete, depraved and corrupt figure; only
capable of rule by brutal cruelty and too weak to even protect his harem
against the charms of western seducers. Mazower does not use the term
‘orientalism’ but readers of Said while see here a confirmation of his analyses
of the stereotype, and readers of Bernal will find some interesting examples of
the essentially western and racially inspired creation of Hellenism.
Old Salonica died in the twentieth century. Readers familiar
with east European history will know that the real past of eastern European is
one of multiculturalism. That world was destroyed by the invention of nations.
The process of nation state building in south east Europe
in particular involved war, massacre, terror and ethnic cleansing on a massive scale.
In the region of Salonica this tragic history began with the operations of the
world’s first modern terrorist group, IMRO, the Internal Macedonian
Revolutionary Organisation, with its campaign of terror against Muslim peasants
in the 1870s, which led directly to the infamous “Bulgarian massacres” of 1876
and the 1878 Russo-Turkish war. A partial reprieve for the Ottoman
Empire came with the victory of the Young Turk movement in 1908, a
modernising, parliamentary movement which sought to build a transnational identity
from all groups.[i] Founded
in Salonica and supported by people from all communities, the aftermath of the
1908 coup initially brought great enthusiasm for reform; but soon the junta
itself fell to the forces of nationalism, this time Turkish. The Balkan war of
1912 saw the occupation of Salonica by Greece . The chaos of the First
World War, whose dire impact on Greek politics is well documented by Mazower followed,
leaving Salonic under allied occupation. The great fire of 1917 destroyed much
of the old town, particularly the Jewish quarter, which allowed for the first
spate of modernist rebuilding. The Greek war with Turkey
in 1922 led to the first great round of ethnic cleansing with the Muslim
population generally classified as Turks (even when they were not) and expelled
and the Christian population of Turkey
classified as Greeks and resettled in Salonica. Paradoxically the use of the
Turkish language, and the survival of Turkish music (in the form of zembetiko) and of food ways, increased
after the population exchange, as many so called Greek refugees were Turkish
speaking Christians.
Greek politics between the wars resembled a state of nearly
constant simmering civil war and Mazower is on sure ground in guiding the
reader through this maze. He illustrates the rise of extreme right wing
politics in Greece
in this time, with fascist and anti –Semitic tendencies. These elements were
keen to co-operate when the Nazis arrived, and local collaboration,
particularly the desire to reappropriate the enormous Jewish cemetery for urban
development (it is now the location of the university), played into the hands
of Nazi racial policies. Over a matter of a few weeks in 1943 the entire Jewish
population – more than 40,000 people - was dispossessed, classified and
transported to Auschwitz and to death. Barely
5% of Salonica’s Jews survived the war, compared to 50% in Athens , where the Archbishop specifically
spoke out against Nazi policies. Salonica elites by contrast remained silent.
Mazower also documents the shameless grab for Jewish businesses, properties and
possessions pursued by Greek businessmen and civil servants during and after
the war.
Mazower achieves four worthwhile objectives in this fine
book. He shows that multicultural societies have as much chance of producing
civil peace as any other; that the root of many modern tragedies lies in the
invention of nationalism; that the Hellenist façade of Thessalonica (and by
extension, modern Greece) is built over buried identities for whose demise the
current state has some responsibility; and that the old Ottoman empire on the
scale of human values, was not such bad place after all.[ii] At
a methodological level, the book is a fine of illustration of the ability of a
micro scale study to illuminate macro themes. This is an excellent example of a
complex story well written, a story worth reading and pondering for its
lessons; a fine exemplar of history ‘written backwards’.
[i] Indeed
Salonica was rhe birthplace of Mustapha Kemal, later Kemal Atatürk, founder of
the modern secular Turkish republic.
[ii] The reviewer is of course fully
aware of the Turkish complicity in the 1876 Bulgarian massacres and the
massacres of Armenians from 1908 on, culminating in the 1915 genocide. The
reference here is to the older tradition.
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